These Connecticut Curriculum Trace Maps for music are designed to help curriculum developers and teachers translate Connecticut's K-12 performance standards into objectives and classroom practice. The music Trace Maps provide specific descriptions of what students should know and be able to do at smaller grade level clusters. Connecticut's Trace…

The Connecticut Curriculum Trace Maps for music are designed to help curriculum developers and teachers translate Connecticut's K-12 performance standards into objectives and classroom practice. The Trace Maps provide specific descriptions of what students should know and be able to do at smaller grade level clusters. The elements in the Trace…

This book provides activities for fourth, fifth, and sixth grade teachers and librarians to use in the spare moments that can be transformed into educational experiences. The activities range from individual paper-and-pencil games, to partner activities, to whole-class ideas, and combinations thereof. The activities are arranged by subject (i.e.,…

This report addresses the problem of apathy and the unwillingness of middle level students to meet basic standards, evidenced by a lack of student performance and participation and by an attitude of indifference. The targeted population for this study consisted of seventh and eighth grade general music students in an economically and culturally…

This document is comprised of the six issues of volume 19 of "First Teacher," a periodical providing helpful activity ideas and information on child development for early childhood teachers and caregivers. The major topics for each themed issue are as follows: (1) Exploring Letters and Numbers, including flannel board activities, and number rhymes…

Data from the National Assessment of Educational Progress (NAEP) 1997 Arts Assessment in Music, which covered eighth-grade students only, regardless of whether they had received instruction in music, show that student involvement in a variety of musical activities (playing an instrument in particular) is positively related to student music…

Offers suggestions on how to ask questions in a teacher/student reading conference, promote professional growth through the use of reading journals, produce a newspaper as a final examination, use modern music to teach reading and writing, and use content area textbooks to teach reading skills. (FL)

Nine contributors discuss: short-term grouping to improve reading performance, using picture books to inspire creative writing, writing musicals in the classroom, reading aloud to remedial readers using book boards to motivate readers, and other topics. (FL)

In Australia, Gardner's multiple-intelligences theory has strongly influenced primary, preschool, and special education. A survey of 30 schools revealed that teachers use two basic approaches: teaching to, and teaching through, multiple intelligences. The first approach might develop children's music skills via playing an instrument. The second…

Provides a introduction and overview to alternative music notation systems. Describes guitar tablature, accordion tablature, klavarskribo (a keyboard notational system developed by Cornelius Pot, a Dutch engineer), and the digital piano roll. Briefly discusses the history of notation reform and current efforts. Includes examples from scores. (MJP)

Identifies "play-party" games as simple musical games requiring no instrumental accompaniment. The games were popular on the 19th-century American frontier. Recommends using these as class learning activities. Provides several lists of resources and includes notational scores and activities for two songs. (MJP)

By strengthening the links between specialty teachers' classrooms (e.g., music, art, and physical education) and the regular classroom, classroom teachers can tap into the specialty teachers' expertise and use the arts to enhance everyday lessons. The article describes the steps in initiating and maintaining such a partnership. Two sample lessons…

Recommends elementary school projects where children design and make their own musical instruments. Maintains that this familiarizes students with the family of instruments and how they produce sound. The built instruments can be as simple as a washtub bass or as complex as an electronic synthesizer. (MJP)

Analyzes the results of an experiment involving 449 undergraduate students (180 music majors and 269 nonmusic majors). They completed a preference-rating scale concerning musical characteristics from world music excerpts. Delineates the various characteristics preferred by both. In general, musicians had higher preference means. (MJP)

Asks the questions (1) what is critical thinking in music?; (2) why is it so important that we engage students in it?; and (3) what does it have to do with music education? Answers these questions and elaborates on the notion of critical thinking as an educational goal and tool. (MJP)