Describes a project which examined how portfolios give students opportunities to (1) select items that show who they are, (2) set goals for their own growth, and (3) discover the significance of their decisions. Discusses the experiences of sixth graders, first graders, special education students, and the teachers. (PRA)

Asserts that portfolios (1) thrive in classroom writing communities; (2) offer an alternative to one-shot inservice programs; (3) encourage conversation and decision making; and (4) reflect the features of a writing program. Describes the preparation of portfolio inservice at Mississippi State University and the purposes of a professional…

Describes the development, beginning in 1988, of Vermont's portfolio-based writing assessment program, pointing out the inevitable tension in assessment programs between the need for measurement and a wish for professional development that leads to improved instruction. (SR)

A discussion of holistic scoring, developed for use on essays in composition courses, argues that it can be used effectively in other disciplines. Procedures for establishing criteria of quality, ideas for identifying writing features relevant to the discipline in question, and methods of providing feedback to students are suggested. (MSE)

Compares undergraduates' handwritten reports with those written on computers for 10 precisely defined quality factors. Finds more similarities than differences, with 6 of the 10 tests showing no significant differences. Notes that this study does not support a general conclusion that basic writing quality will improve in computer written…

Recommends 14 recently published books on writing. Groups the books in 6 categories: assessment, classroom publishing, foundations, insights from writers, classroom descriptions, and general information. (MG)

Investigates the responding styles of technical writing teachers and of technical editors and supervisors. Finds that teachers usually ask questions rather than suggest or direct. Asserts that teachers might improve their commentary by adapting the responding techniques of technical editors and supervisors, including explicit and systematic usage…

Discusses the ways that writing teachers comment on and evaluate student writing, especially in the form of marginal comments. Describes three writing teachers in the act of creating margin comments. Analyzes their acts of commenting. Shows how analysis of such teacher response might inform work with student writers. (HB)

Addresses the problem of oversimplification among basic writers. Investigates the strategies and assumptions of basic writers in moving to oversimplify their writing. Presents case studies involving basic writers and analyzes them to determine the causes of oversimplification. (HB)

Argues that holistic scoring requires evaluators to suppress their interpretive judgment and treat students' writing differently than in any other situation, based on an analysis of videotaped reader-training sessions for an English Proficiency Essay Exam. (NH)

Claims that holistic scoring for schoolwide assessment of writing proficiency is influenced by the disciplines represented by the faculty readers. Describes in detail the findings of a study designed to measure reader bias in evaluation, a phenomenon suggested by reader-response theory. (HB)

Describes the way one teacher used extensive journal writing by students over assigned readings and the pros and cons of such an activity. Considers how teachers should respond to and evaluate student journal writings. Provides advice on how such journals can be used to develop writing voice. (HB)

Reviews videotapes of three professional writers composing several essays from start to finish, both by hand and by computer. Discusses similarities and differences among the completed essays. Finds that writing appears to be governed by deep cognitive models that are little influenced by the mode of text production or by the writer's preference…

Finds developmental changes in both cohesive harmony and holistic writing quality in the writing of first graders, suggesting that cohesive harmony may be a sensitive measure of textual quality. Finds no consistent relationship between measures of cohesive ties and cohesive harmony. Suggests that cohesive harmony is a viable tool for discourse…

Describes a writing assignment which allows students to exercise creativity communicating set facts while utilizing narrative techniques covered in class (sentence variety, dominant impressions, narrative action, detailing, etc.), and in which peers judge how effectively and consistently the information was communicated, illuminating the…