An analysis of educational desires found parents of children with Down syndrome (n=39) wanted changes in speech therapy and reading services, parents of children with Prader-Willi syndrome (n=25) wanted increases in adaptive physical education services, and parents of children with Williams syndrome (n=26) wanted increases in music services and…

Provides three samples of assessment strategies to be used in conjunction with the "National Standards for Music Education" from the recently published, "Performance for Standards, Grades Pre-K12: Strategies and Benchmarks for Assessing Progress Towards the National Standards." The samples include assessments for grades K-4,…

Discusses relationships among selected aspects of parental involvement as they relate to the cognitive, affective, and performance outcomes of instrumental music students. Discovers that for cognitive musical and musical performance outcomes parental influence is strongest at the elementary level. For affective outcomes parental involvement…

Argues that music educators often fail to fulfill their primary teaching obligation--providing students the opportunity to be affected and shaped by music. Contends that this requires music teachers to employ music of high quality, rather than the music currently performed by school chiors and marching bands. (DB)

Describes ways in which choral directors may help performers understand and interpret the affective aspects of music. Offers suggestions for analyzing music scores and for teaching students about a composition's background and emotional message. (LS)

Describes fully developed library media activities that are designed to be used in connection with specific curriculum units. Highlights include music (the music of Africa), language arts (American Black poets), science (the work of George Washington Carver), and social studies (Laura Ingalls Wilder and the movement West). (LRW)

Assesses children's ability to indicate verbally and nonverbally their awareness of two-octave pitch shifts in a familiar song. Compares abilities of English- and Spanish-speaking children by age and by native language. Discovers older children indicate changes more proficiently whereas Spanish-speaking children respond less often. Finds many…

Asserts that thoughtful assessment of student achievement can illustrate student growth to parents, administrators, and non-music teacher colleagues. Recommends incorporating student assessment into instruction by adapting common music activities so that teachers can observe and record student performance during normal instructional time. (CFR)

Delineates the foundations of Dmitri Kabalevskii's music curriculum for general education in the Soviet Union. Stresses teaching music as part of life itself. Bases teaching principles and methods on the song, dance, and march, termed "The Three Whales." Offers extensive lesson plans focusing on first grade music activities. (CH)

Suggests effective music instruction helps children use extramusical analogies to describe what they hear. Introduces music vocabulary, and asks questions that guide students to complete musical descriptions. Claims meaningful description is the result of training that is focused on developing listening skills. (NL)

Provides seven fully developed library media activities that are designed to be used with specific curriculum units in mathematics, music, reading/language arts, social studies, and science. Library media skills objectives, curriculum objectives, grade levels, resources, instructional roles, evaluation, and follow-up are described for each…

Discusses how teachers can use folk songs to explore American history, to teach music, and to improve students' reading and writing skills in one integrated project. (BB)

Suggests expanding the eclectic nature of a band program by creating a steel band, a Caribbean-based percussion ensemble. The steel band complements multicultural education and attracts students to the music program. Discusses maintenance, repertoire, and performance. Includes classification of pans and a list of schools with established programs.…

Advocates using portfolio assessment in music education, more as a teaching tool than a final evaluative instrument. Explains those advantages and disadvantages of portfolio assessment that are peculiar to music education. Discusses materials for inclusion. (MJP)

Attempts to express a group of children's understanding of inversion, retrograde, and retrograde-inversion as it applies to musical composition and color schemes. The children, ages six to nine, displayed idiosyncratic approaches to the problems. Discusses the possible implications for symbolic language and cognitive development. (MJP)