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Barchers, Suzanne – Teacher Ideas Press, 2004
Ten readers theatre scripts based on some of the most famous, sensational trials in U.S. history provide a fascinating glimpse into our past and our justice system. These compelling dramas are based on actual trial proceedings, and have been adapted to the interest and reading level of students in upper elementary and middle school. Details of the…
Descriptors: Theater Arts, Scripts, Drama, Court Litigation

Page, Malcolm – Literature/Film Quarterly, 1973
Analyzes director Richard Lester's and scriptwriter Charles Wood's efforts in adapting "How I Won the War" and "Dingo" for film. (RB)
Descriptors: Analytical Criticism, Comedy, Films, Higher Education
Schaal, Don S. – Educational and Industrial Television, 1972
Descriptors: Educational Television, Industrial Education, Production Techniques, Programing (Broadcast)
King, Peter M. – Educational Broadcasting International, 1971
Descriptors: Educational Radio, Interpretive Reading, Production Techniques, Programing (Broadcast)
Van Tassel, Wesley – Educ Theatre J, 1969
The opinions of producers, directors, actors, and designers of plays for child audiences under 10 years old were solicited in this study; based upon author's doctoral research at the University of Denver, 1968. (Author/RD)
Descriptors: Acting, Children, Dialogs (Literary), Dramatics
Park, Ben – Educational Television, 1970
Guidelines on creating scripts, chosing writers, and developing staff." (Editor)
Descriptors: Creative Writing, Educational Television, Production Techniques, Program Development
Hopper, Frank; Hopper, Marj – Educational Television, 1971
Descriptors: Educational Television, Film Production, Production Techniques, Scripts
Hampe, Barry – Training, 1980
Seventeen steps are presented for the successful production of training films and video tapes. The steps include concept, script preparation, budget, filming and recording, laboratory processing, editing, titles and narration, sound mix, corrections, manufacture of prints, and distribution. (CT)
Descriptors: Budgeting, Editing, Film Production, Films

Blumenberg, Richard M. – Journal of Film and Video, 1990
Examines the classical paradigm in which both temporal and spatial cohesion constitute a popular and desirable characteristic in presentational story-telling. Argues that fragmentation's maneuvers are as effective as a configurating tool and as cohesion because they advance the ideological, psychoanalytic, aesthetic, essentialist, and story…
Descriptors: Cohesion (Written Composition), Film Criticism, Film Study, Films

Connelly, James O. – Technical Communication: Journal of the Society for Technical Communication, 1995
Discusses four basic categories of restrictions within which the video script writer works: purpose, time, budget, and resources. Discusses how these variables work together to force creation of a document that can be produced. (SR)
Descriptors: Higher Education, Scripts, Technical Writing, Videotape Recordings

Shelton, S. M. (Marty); And Others – Technical Communication: Journal of the Society for Technical Communication, 1993
Shows how the empathy created in the audience by each of the five genres of film/video is a function of the five elements of film design: camera angle, close up, composition, continuity, and cutting. Discusses film/video script designing. Illustrates these concepts with a sample script and story board. (SR)
Descriptors: Communication (Thought Transfer), Films, Scripts, Technical Writing
Scot, Tammy Pandina; Harding, Diane – Learning & Leading with Technology, 2004
Teaching communication used to be simple: teach writing and speaking. But today?s students must be able to communicate with pictures, both moving and still; audio; and text. This article shows how to design a series of lessons in which students create digital class videos during the course of content-specific units, discussing pre-production,…
Descriptors: Grade 5, Writing Processes, War, Scripts
Fries, Stefan; Horz, Holger; Haimerl, Charlotte – Learning and Instruction, 2006
Two studies investigated how quality expectations affect students' outcomes of media-based learning. Experiment 1 (N=62) demonstrated that students expecting a high-end computer-based training programme learned most, whereas students expecting a programme of ambiguous quality learned least and students having no expectations performed in between.…
Descriptors: Expectation, Program Effectiveness, Experiments, Computer Assisted Instruction
Vaughn, Brian E.; Coppola, Gabrielle; Verissimo, Manuela; Monteiro, Ligia; Santos, Antonio Jose; Posada, German; Carbonell, Olga A.; Plata, Sandra J.; Waters, Harriet S.; Bost, Kelly K.; McBride, Brent; Shin, Nana; Korth, Bryan – International Journal of Behavioral Development, 2007
The secure-base phenomenon is central to the Bowlby/Ainsworth theory of attachment and is also central to the assessment of attachment across the lifespan. The present study tested whether mothers' knowledge about the secure-base phenomenon, as assessed using a recently designed wordlist prompt measure for eliciting attachment-relevant stories,…
Descriptors: Scripts, Mothers, Attachment Behavior, Foreign Countries
Sandretto, Susan; Ballard, Keith; Burke, Pam; Kane, Ruth; Lang, Catherine; Schon, Pamela; Whyte, Barbara – Teachers and Teaching: Theory and Practice, 2007
This article presents conceptualizations of social justice expressed by a group of teacher educators in New Zealand and seeks to reinforce the importance of placing social justice on the agenda of teacher education. It is presented in the form of a reader's theater script designed to elicit discussion and encourage others to reflect critically on…
Descriptors: Social Justice, Scripts, Teacher Education, Educational Change