Reflects on a thematic section on "The Status of Women" taught in a freshmen writing class. Discusses the resistance of the author and students and the angered and impassioned writing that arises when texts challenge the ideologies of readers. (MG)

Notes that helping students create coherent texts is one of the most difficult jobs that composition teachers have. Describes a classroom technique that helps writers shift perspectives by getting them outside their texts. Notes that the technique requires students to examine what they do as readers to create coherent meaning. (RS)

Questions whether the benefits of separating basic writers into homogeneous classes continue to outweigh the disadvantages. Proposes that teachers gather data about success rates of current basic writing courses (using "mainstreamed" volunteer basic writers) and revise first-year composition courses to ensure they will respond to a wider range of…

Examines some of the issues attached to the egalitarianism narrative, which has rapidly gained credence in the composition field and which serves as a powerful term of authorization. Pursues the question of egalitarianism in the computer networked composition classroom using an interpretive methodology. (RS)

Challenges the writing-across-the-curriculum movement's view of the university curriculum as a confederation of interpretive communities. Argues for a common domain of discourse and inquiry, grounded in the liberal arts. Calls for resistance of a rhetorical approach that requires students to learn specialized academic languages as quickly as they…

Describes a modification of the software "Punctuation and Style," and a study of the modified software program. Reports that teachers rated computer evaluations of student compositions as helpful more often than did students. Notes that teachers and students agreed generally on the helpfulness of the program's most frequent comments. Argues that…

Offers arguments for and against making the essay central to the English and writing curriculum. Argues for the inclusion of the essay and discusses personal experiences and feelings regarding essay writing. (PRA)

Describes an assignment used at the beginning of a unit on poetry in which students analyze rhyme scheme, meter, feet per line, lyric quality, and theme of the lyrics to a favorite song. Notes that after this students may move more easily into analyzing poems. (SR)

Shares freshman-composition students' stories about portfolio assessment (interviewing students at length three times during the semester), to examine ways students understand portfolios, how portfolios work, and why sometimes they do not. Suggests concerns relevant to implementing department-wide competency portfolios. Argues that community…

Notes that writing instructors want to resist authoritarian classroom arrangements because they want students to be active in their education and in their lives. Describes efforts to develop a "new model of authority, a new space," using peer group leaders, advanced standing students who facilitated writing groups in a first-year basic writing…

Tells what has happened the last two years at the University of Louisville's English department. Presents a brief explanation of why the University of Louisville's English department decided to redefine their mission--moving all professorial faculty into first-year composition. Offers some general comments about what the author has learned as a…

Explains how faculty at Quinnipiac College reconceptualized developmental English and designed a new program that provides additional instructional time within the regular freshman English course. Finds that developmental students are better motivated and achieve growth in reading and writing commensurate with students who had a prior semester of…

Addresses past and current issues concerning teacher response to first-year student writing and suggests that teacher intervention should be viewed as a writing process itself. Describes the author's own process of responding to student writing, which he has found to be very effective. Concludes that individual teachers must decide for themselves…

Considers that one of the challenges of introductory and sophomore-level college business communication courses lies in coaxing students out of those comfortable academic spaces and showing them the need for differentiating one audience from another and viewing each writing context afresh. Presents findings from (and describes implementation of) a…

Examines whether first-year composition students at two state universities believe that portfolios are as effective for students as composition instructors widely assume them to be. Investigates the assumption in composition pedagogy that portfolios are good for students' writing and that students like and appreciate the opportunity to be in a…