Proposes an alternative interpretation to John Keats'"Ode To A Nightingale," which illustrates a greater interplay of conflict and tension and offers a potentially more varied performance. (MH)

Examines approaches to interpretation study contained in basic interpretation textbooks. Describes the performance criticism each approach generates. (PD)

Examines and suggests improvements in the broadcasting speech event (radio newscast reading) in forensic competition. (PD)

Successful approaches to a more theatrical classroom performance of literature initially depend on a student performer's critical ability to analyze literature and the creative ability to ultimately give voice and body to a literary character. An imaginative Reader's Theater classroom exercises blueprint is also an essential ingredient in…

Reports the following concerns of beginning oral interpretation students: (1) dealing with stage fright; (2) finding suitable material; (3) analyzing the literature; and (4) using voice and body for performance. Proposes choral reading as an effective means to deal with these concerns, since the emphasis is on group rather than solo performance.…

Explores how oral and print characteristics mesh or clash in "words-in-freedom," a form of visual poetry invented by Filippo Tommaso Marinetti. Analyzes Marinetti's poster-poem "Apres la Marne, Joffre visita le front en auto," highlighting the different natures of the two media and the coding difficulties occasioned by…

Storytelling can help campers build confidence and enhance their communication skills. Techniques include choosing a short, familiar story; learning major points and retelling in one's own words; introducing the story; practicing facial expressions, gestures, voice inflections, and body movements; and telling the story in a small group in a quiet…

What role can emotions play in informing readers' interpretations of poems? This think-aloud study, with an experimental design, featured 10 college freshmen randomly assigned to 2 groups. The think-aloud (TA) group verbalized thoughts while reading 2 poems, and the think-and-feel-aloud (TFA) group voiced both thoughts and feelings. Participants…

A study examined the question of what sequence patterns, if any, of covering oral interpretation topics emerge from forensic coaching sessions. To answer the question it was first necessary to analyze the process used by the coaches. Process was defined as the action of passing through continuing development from a beginning to a contemplated end.…

If forensic oral interpretation selections are to communicate to audiences, forensics educators must first help their students discover the messages that exist within texts and are communicated through programming and performance. The concepts of relevancy, significance, and depth of insight provide a general background for which aesthetic…

This article describes Readers Theater (a form of group storytelling in which two or more readers present a piece of literature by reading aloud from hand-held scripts) and advocates its use in the classroom. The paper's seven sections are as follows: (1) What is Readers Theater; (2) Readers Theater and Its Conventions (discussing scripts,…

Based on the idea that creative writing in the classroom need not begin with writing as the first step in the composing process, this guide suggests an oral approach to creative writing. The guide describes the "Telling to Write" process which begins with a structured exploration, continues with a series of story-related activities…

A compilation of statements of the judging philosophies of the judges for the 1987 National Debate Tournament, this booklet presents the views of 132 college level coaches from institutions all across the country. The areas examined in the standard judge philosophy form include (1) personal preferences in regard to a decision making paradigm; (2)…

In the process of perfecting oral performances of selected scenes from Eudora Welty's "The Optimist's Daughter," it is important to study point of view and character as they pertain to the play. Four aspects should be considered to understand the point of view: (1) the character's story, (2) the position from which the narrator speaks,…