The battle over whether literature or composition should dominate English instruction is the consequence of a perception that composition instructors who do not use literature as their primary source material have nothing substantial to offer in its place. A survey of 19 colleges and universities in New York revealed that institutions with a…

Examining the cognitive processes of reading-to-write as they are embedded in the social context of a college course, this introduction to and overview of the 11-part Reading-to-Write Project study focuses on the study as a whole by sketching the reading-to-write task as one of practical importance, as a window on how students integrate reading…

This study is the seventh in a series of reports from the Reading-to-Write Project, a collaborative study of students' cognitive processes at one critical point of entry into academic performance. This part of the study examines whether students could make more significant revisions in their writing if they were merely prompted to examine and…

This study is the fourth in a series of reports from the Reading-to-Write Project, a collaborative study of students' cognitive processes at one critical point of entry into academic performance. The study of task representation reported here explores how students and teachers perceive the same writing assignment by comparing the reported…

A study investigated the effect or lack of effect of peer collaboration on the writing of female freshman composition students. Four freshman composition classes conducted by two experienced instructors participated in a 3-week study. One instructor taught two classes by teacher-lecture and teacher-led discussions exclusively. Another instructor…

As an interesting development in recent literary criticism, reader response can enhance a composition class in many ways. Reader response, by incorporating both intellect and feeling into an aesthetic reaction to literature, restores the subjective aspect that some forms of criticism deny. Three main elements compose the repeated cycle of a…

Offers a strategy for having composition students write a clear, complete set of instructions for performing some task, while eliminating the possibility for plagiarism and collaboration. (JC)

The city is described as a place where strangers meet, and that is also what happens in the public space of the composition classroom. If students share anything, it is an awareness of the need to negotiate the institutional demands of the freshman writing class and an invitation to enter the public forum where the issues can be divisive,…

Suggests that the reform of English departments where overburdened composition teachers teach underprepared students must begin with a sense of historical perspective examining the genesis of the freshman writing course and the large numbers of college students who must enroll in it. (TB)

Describes a freshman honors writing course in which students submit research papers and then write letters to the teacher about the experience. Identifies four concerns raised by students: (1) managing time; (2) managing the topic; (3) integrating sources; and (4) following a structure. Concludes that peer interaction is a valuable resource for…

Explores the problematic social constraints facing teachers who value diversity and who wish to develop their students' ability to think critically and to question dominant cultural values. Classifies these constraints into three areas: social pressures, social rules, and social values operating in the typical composition classroom. (KEH)

Surveys freshman English directors in order to help define the role of the writing center director. Discusses how writing center directors are viewed within English departments. Appends the questionnaire used. (MS)

The enthusiasm generated by workshops in writing across the curriculum can be translated into lasting curricular change, particularly in freshman composition, general education courses, and upper-division writing emphasis courses. Committees, central to any change effort, can take any of a variety of forms. (MSE)

Assesses the utility of the analyses within the "Writer's Workbench" (an advanced text editor) range. Compares professional prose with first-year college student essays, using readability, sentence variety, sentence structure, parts of speech, vocabulary, and usage. (MS)

Assesses the role of the composition director in writing programs. Argues that the composition director should be a tenured professor and should possess full administrative control over all aspects of the writing program. (RAE)