Argues that current practices for teaching integrative thinking skills are inadequate partly because no model exists to understand such efforts. Proposes a model for teaching integrative thinking based on existing models of creativity and synthesis. Discusses implications of the model for interdisciplinary studies. (32 citations) (AJL)

Describes an art project that challenges the artistic skills of students by asking them to depict an everyday scene. Explains that the students learn about various artists, such as Edward Hopper, and must select a scene in which they are looking through something such as a window, door, or hallway. (CMK)

Focuses on the use of cognitive mapping within sociology. Describes an assignment where students created a cognitive map that focused on names of theorists and concepts related to them. Discusses sociological imagination in relation to cognitive mapping and the assessment of the assignment. (CMK)

Discusses the meaning of creativity, focusing on music education. Emphasizes the four "p's" while examining the meaning of creativity: (1) the creative person; (2) the creative process; (3) the creative product; and (4) the creative place. Addresses how creative thinking can be at the center of teaching. (CMK)

Discusses the uses of case methods in teacher education as a way to develop flexibility in teacher decision-making. Defines and describes the use of teaching cases, and expands the concept of a case by introducing the notion of a literature case, defined as a novel with school-based setting and characters. (SG)

This article describes the Future Problem Solving Program, a year-long curriculum project with competitive and non-competitive options. The international program involves 250,000 students and is designed to help students enlarge, enrich, and make more accurate their images of the future. Team problem solving and individual problem solving…

The paper examines the nature of creativity and educational changes which have placed greater emphasis on creative problem solving and creative expression. Specific focus is on: (1) production of curriculum and instructional programs to facilitate creative thinking, and (2) development of procedures for measuring creative thinking abilities. (JDD)

Examines music creativity from a cross-cultural perspective. Delineates the difference between creativity and re-creativity giving cultural examples of each. Discusses the differences between composition and improvisation and analyzes the language of musical expression. Describes the cultural traditions of musical creativity in India, China, Iran,…

In order for schools of teacher education to prepare teachers as creative curriculum planners, students must be taught in situations that encourage creativity, and they must experience models of creative teaching. Several direct strategies for fostering creativity in the teacher education curriculum are outlined. (IAH)

Research findings concerning student learning difficulties in algebra are discussed. A teaching approach which takes into consideration these findings is suggested. Encouraging students to see patterns and to develop flexibility in their thinking are stressed. (CW)

Described is an approach to teaching algebra in a meaningful context by using problem solving to motivate students and increase their retention. Examples of this approach are given. (CW)

Posits that any model of creative thinking in music must deal with how factual content in music serves as the foundation for the creative process. Maintains that music technology is an exciting and meaningful avenue for both convergent and divergent thinking but that creative thinking can occur without technology. (KM)

Steps for implementing team management in libraries are discussed in the first of four articles. The second reviews the use of quality circles in librarianship, the third describes the implementation of self-management teams in technical services, and the fourth discusses nominal group technique as a team development tool. (CLB)

Differences were investigated between communication behaviors of small groups trained or not trained in creative problem-solving. The 110 members of groups trained in problem solving participated more, criticized ideas less, supported ideas more, exhibited more verbal and nonverbal indications of humor, and produced more ideas than the 90…

Discusses the need for teaching creative thinking in the classroom. Cites two misconceptions to which the absence of emphasis on creative thinking is attributed. Provides strategies and example activities for promoting the skill. States that these procedures can increase student interest in science. (RT)