"Photoplay" Magazine is the source of these articles and photographs, which date from the start of the sound era to the start of World War II. Sections are devoted to stars, living and working in Hollywood, contributions of the production crew to films, trends in motion pictures, and a sample of film fans' favorite columns. (JK)

Providing an introduction to anyone considering directing as a field of study or career, this book takes a broad look at the process of directing and encourages students and professionals alike to look outside of the movie industry for inspiration. Chapters in the book discuss selecting and acquiring material; budgeting and financing; casting and…

Presents the text of an interview with Andrew Sarris discussing film criticism and critics and possible futures for the film. (TO)

Analyzes the three literary sources of Ingmar Bergman's film, "Through a Glass Darkly," in an attempt to account for some of the film's technical weaknesses and shed light on the film's interpretation. (TO)

Consists of a series of reviews of different kinds of films that are considered appropriate for instructional needs. (RK)

Provides an annotated filmography of films that present the hazards of smoking. (TJ)

Suggests American screenwriters experiment with the lighting, colors, perspectives, angles, and positioning of images in works of art to generate narrative. Argues that American screenwriters, unlike European counterparts, unnecessarily adhere to the concept that characterization is essential to generate narrative. (KEH)

Examines similarities and differences between writing short, live-action narrative films and writing feature films. Examines market influence, budget, structure, and story factors. Describes useful procedures for inclusion in a scriptwriting class. (KEH)

Studio D of the National Film Board of Canada, a women's film making unit established to make films by, for, and about women, has created a group of five films that effectively develop the argument that women can and must join the effort to bring peace to a nuclear world. The first of these peace films, "If You Love This Planet,"…

Written by filmmakers with five years experience as part of a cooperative for the distribution of feminist films, this handbook is designed primarily to instruct filmmakers on how to distribute their films and to assess whether self-distribution is advisable. Mainly non-theatrical use of 16mm films is discussed, with emphasis on educational…

Many feature length films and films made for television are adaptable to classroom use, especially in the arts, humanities, and social sciences, and students may accept a well-produced film (even if it is older) more readily than an inexpensively produced educational film. This booklet discusses how animated films, narrative feature films,…

"Understanding Film," the opening section of this book, discusses perceptions of and responses to film and the way in which experiences with and knowledge of other media affect film viewing. The second section, "Film Elements," analyzes the basic elements of film: the use of space and time, the impact of editing, sound and color, and the effects…

The stress given to film directors and stars in current academic cinema studies unjustifiably ignores the artistic contributions of cinematographers. Frequently, cinematographers are responsible for much of the artistic expression and inventiveness in films. Although determination of the extent of the cinematographer's contribution is difficult,…

The thesis of this classic, the major part of which was originally published in 1933, is that the peculiar virtues of film as art derive from an exploitation of the limitations of the medium: the absence of sound, the absence of color, the lack of three-dimensional depth. Silent-film artists made virtues of these necessities and were on their way…