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Kelly, Ernece B. – 1993
This paper describes how director Spike Lee changed Hollywood's representations of African Americans in a dramatic way. He returned to traditions of early African American filmakers like Oscar Michaux by casting all-black movies. In his first film, "She's Gotta Have It", he broke with the Hollywood tradition of using a classic beauty…
Descriptors: Blacks, Ethnic Studies, Females, Film Production
Humphreys, Barbara; Semkow, Julie – Film Library Quarterly, 1974
Listing of resource guides for use in answering requests for film rental sources and film subject searches. (CH)
Descriptors: Film Libraries, Film Study, Films, Information Sources
Peer reviewed Peer reviewed
Baudry, Jean-Louis – Film Quarterly, 1974
A review of the social, political, and economic influences in film production and a critique of current assumptions about film criticism. (CH)
Descriptors: Economic Factors, Film Production, Film Study, Films
Epple, Ron – Media and Methods, 1975
Descriptors: Females, Feminism, Film Production, Film Study
Novak, Glenn D. – 1986
Although usually considered the "master of suspense," Alfred Hitchcock relished working humor into his films, frequently juxtaposing it against scenes of utter gruesomeness. This placement of comic elements--comic relief--in an otherwise serious murder mystery or suspense thriller became a Hitchcock trademark early in his career.…
Descriptors: Auteurism, Film Criticism, Film Study, Films
Peer reviewed Peer reviewed
Jahn, Jurgen – Unterrichtspraxis, 1974
Describes procedures for the showing of newsreel episodes in the foreign language class. (PP)
Descriptors: Films, Foreign Language Films, Instructional Films, Language Instruction
Peer reviewed Peer reviewed
Siminoski, Ted – Velvet Light Trap, 1974
History of the new method of marketing commercial films. (CH)
Descriptors: Attitudes, Film Industry, Film Production, Films
Colldeweih, Jack – Film Library Quarterly, 1974
A discussion of the existence and consequences of censored or edited television films held by film libraries. (CH)
Descriptors: Censorship, Editing, Film Libraries, Film Production
Le Grice, Malcolm – 1977
A theoretical and historical account of the main preoccupations of makers of abstract films is presented in this book. The book's scope includes discussion of nonrepresentational forms as well as examination of experiments in the manipulation of time in films. The ten chapters discuss the following topics: art and cinematography, the first…
Descriptors: American Culture, Film Criticism, Film Study, Films
Isenhour, John Preston – AV Communication Review, 1975
Reviewing results of experiments in which sequence of motion picture shots was varied, the author concludes that the meaning of individual shots varies with changes in order and context. (Editor)
Descriptors: Context Clues, Film Production, Film Study, Films
Wilkins, Keith A. – Training, 1975
The author looks at some of the myths floating around about whether and how a company should use films in its training programs. (Author)
Descriptors: Educational Programs, Film Production, Films, Industrial Training
Geller, Robert; Kula, Sam – J Aesthetic Educ, 1969
Article developed in consultation with Mr. George Stevens, Jr., the Director of the American Film Institute.
Descriptors: Catalogs, Educational Media, Fellowships, Film Production
Curran, Trisha – 1974
This paper describes some of the theories of cinematography of Soviet film theorist and filmmaker Lev Kuleshov. It points out that for him, film was communication portraying people's activities emanating from the environment. It explains that he was especially interested in audience response, particularly that of the proletariat, and that he felt…
Descriptors: Audiences, Auteurism, Biographies, Film Industry
1976
Films, Incorporated provides a catalog of its 16mm films available for sale, lease, or rent. Both educational and Hollywood feature films are included, as are some books on specific films and basic film literature. Educational films in the humanities include animation, art and perception, biographies, children's short films, children's movies,…
Descriptors: Bibliographies, Catalogs, Film Study, Films
Koch, Christian, Comp.; Powers, John, Comp. – 1974
The announced general focus of the 1972 Oberlin Film Conference was "Goals, Methods, and Scope of Film Study in the 70's," the intention being to emphasize the conceptualization of the cinema experience as messages within larger sets of discourse. To this end, each student submitted an application essay and participated at the conference in…
Descriptors: Aesthetic Education, Conference Reports, Film Criticism, Film Study
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