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Jones, Karen, Ed. – 1973
Fifty-nine film journals, selected as being the most representative and significant of their respective countries, are indexed in this annual publication of the International Federation of Film Archives (IFFA). The index is the result of the collaborative efforts of film archivists working in 24 countries under the direction of the Documentation…
Descriptors: Annotated Bibliographies, Film Study, Films, Indexes
Hooker, Charlotte S. – 1973
This bibliography covers the literature on four of the feature films of Milos Forman: "Black Peter (Peter and Pavla)" (1964), "A Blonde in Love (Loves of a Blond)" (1965), "The Firemen's Ball" (1967), and "Taking Off" (1971). Listed separately by type are materials found in dictionaries, encyclopedias, and…
Descriptors: Audiovisual Communications, Bibliographies, Film Production Specialists, Film Study
Anderson, David R.; Wilburn, Gary – 1971
VISUALIZE is a course in visual language that can be used as a part of any course where communication and self-expression are among the goals--in religion, art, photography, filmmaking or social studies classes. This instructor manual gives a step-by-step approach to four two-hour seminars and three out-of-class projects. During the course…
Descriptors: Film Production, Film Study, Films, Photography
Shales, Tom; And Others – 1972
The American Film Institute has an archive which presently contains more than 9,000 films, many of them rare. The articles in this volume are based on some of the films in the collection. Among the topics of these essays are: pioneers like D. W. Griffith and Thomas H. Ince, treatment of blacks and Indians in films, development of the techniques…
Descriptors: American Indians, Archives, Blacks, Cultural Images
Geduld, Harry M., Ed. – 1969
This collection includes essays by and interviews with more than 30 film-makers, both classic and contemporary, on the subjects of their major interests and procedures in making films. The directors are: Louis Lumiere, Cecil Hepworth, Edwin S. Porter, Mack Sennett, David W. Griffith, Robert Flaherty, Charles Chaplin, Eric von Stroheim, Dziga…
Descriptors: Color, Film Production, Film Study, Films
FORSDALE, LOUIS – 1966
A BROCHURE HAS BEEN PREPARED WHICH COMPLEMENTS THE MOTION PICTURE "8MM FILM IN EDUCATION--ITS EMERGING ROLE," PRODUCED BY THE PROJECT ON EDUCATIONAL COMMUNICATION OF THE HORACE MANN-LINCOLN INSTITUTE. THE PURPOSE OF THIS BROCHURE IS TO ACKNOWLEDGE THE CONTRIBUTIONS OF ALL WHO AIDED IN MAKING THE FILM, AND TO PROVIDE MORE DETAIL ABOUT THE…
Descriptors: Film Production, Films, Filmstrip Projectors, Filmstrips
Swain, Dwight V. – 1976
Dealing with both documentary and feature films, this book is a guide to using particular tools and procedures in developing ideas and concepts for writing film scripts. Part one deals with the factual, or documentary, film and discusses the proposal outline, film treatment, sequence outline, shooting script, and narration writing. Part two…
Descriptors: Documentaries, Film Production, Film Production Specialists, Films
Aquino, John – 1977
In this booklet, the author discusses the ways in which film may be used to extend and enrich the study of literature and explores the rhetoric of film--how it uses visual symbols, similes, and other metaphors to give depth to its content, and how it can broaden characterization and emphasize the symbolic and aesthetic highlights of setting in…
Descriptors: Film Criticism, Film Study, Films, Language Arts
Gledhill, Christine – Screen Education, 1977
Examines a film entitled "Whose Choice?" which chronicles the struggle to protect and extend existing abortion rights through the campaigns set in motion by the James White Abortion (Amendment) Bill (1975). (MH)
Descriptors: Abortions, Feminism, Film Production, Film Study
Sobchack, Vivian C. – Journal of the University Film Association, 1977
Examines an alternative cinematic treatment of rape where the viewer is involved in a first person encounter with rape and betrayal of an intellectual and emotional nature rather than the more traditional physical nature. (MH)
Descriptors: Film Criticism, Film Production, Films, Mass Media
Peer reviewedBrummett, Barry – Critical Studies in Mass Communication, 1985
Using Burkean analysis, this essay shows how films about haunted houses can serve as symbolic equipment to help audiences cope with real life problems. (PD)
Descriptors: Coping, Discourse Analysis, Fear, Film Criticism
Peer reviewedAycock, Estelle – English Journal, 1986
Discusses the issues of finding a current film acceptable to local standards and justifying it as literature. Gives teaching suggestions for dealing with the setting, characters, themes, ending scenes, and visual poetry using the films "Places in the Heart" and "To Kill a Mockingbird." (EL)
Descriptors: Film Criticism, Film Study, Films, Integrated Activities
Peer reviewedFielding, Raymond – Journal of Film and Video, 1985
Lists 385 theses and dissertations on the subject of film, most filed between 1979 and 1983. Includes author, title, university, and date. (PD)
Descriptors: Doctoral Dissertations, Film Criticism, Film Study, Films
Peer reviewedStam, Robert – Journal of Film and Video, 1984
Using films, readings, and textual and intertextual analysis, the course covers the cinema of India, Egypt, Mexico, Argentina, Chile, Brazil, Cuba, and Senegal. (PD)
Descriptors: Course Content, Course Descriptions, Developing Nations, Film Criticism
Peer reviewedCarringer, Robert – Journal of Aesthetic Education, 1974
Article provided an analysis of the films of Stanley Kubrick, credits for the film, Dr. Strangelove, a sequence outline of Dr. Strangelove and study questions relating to the film. It further made suggestions for additional reading. (RK)
Descriptors: Aesthetic Education, Biographies, Cognitive Processes, Critical Thinking


