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Andrew, Dudley – Journal of the University Film and Video Association, 1983
Reports on a training program for filmmaking at the Institut des Hautes Etudes Cinematographiques (IDHEC) near Paris. Covers a brief history of the school, course content, resources, faculty, and admissions procedures for the three-year study program. (PD)
Descriptors: Film Production, Film Production Specialists, Film Study, Foreign Countries
Peer reviewedGreetfeld, Hans – Educational Media International, 1979
Chronicles the development of the educational film in Germany from 1919 through the 1970s, moving from silent to sound films and introducing the influence of television on the medium. The single concept film, the influence of curriculum development and research, and the role of video are also discussed. (RAO)
Descriptors: Curriculum Development, Film Study, Historical Reviews, Instructional Films
Peer reviewedPick, Zuzana M. – Journal of Film and Video, 1993
Presents an interview with Maria Luisa Bemberg, an important female Argentinean filmmaker and one of the most prolific Latin American directors of the 1990s. Focuses on two of her period films, "Camila" and "I, the Worst Woman of All." (RS)
Descriptors: Females, Film Industry, Film Production, Film Production Specialists
Media and Methods, 1974
A list of films judged most useful for film and media study courses. (JH)
Descriptors: English Curriculum, Film Study, Films, Resource Materials
Palmer, Joseph W. – Wilson Library Bulletin, 1974
A steady evolution is establishing a place for 8mm films in library collections. (Author/PF)
Descriptors: Film Libraries, Films, Library Circulation, Library Collections
Peer reviewedCarringer, Robert L. – Journal of Aesthetic Education, 1975
An evaluation of the career of Michelangelo Antonioni and his best known film, Blow Up, were followed with credits for the film, a sequence outline, study questions for class discussion, and some suggestions for additional reading. (RK)
Descriptors: Aesthetic Education, Biographical Inventories, Film Production, Films
Bollmann, Charles G. – Educ Prod Rep, 1968
Descriptors: Equipment Standards, Film Production, Films, Filmstrips
Zajac, E.E. – Educ Technol, 1969
Descriptors: Film Production, Instructional Films, Teacher Developed Materials
Audiovisual Instr, 1969
Descriptors: Educational Innovation, Film Production, Films, Teacher Education
Manchel, Frank; McLaughlin, Frank – Educ Guid Media Methods, 1969
Descriptors: Film Study, Films, Instructional Materials, Literary Genres
Rand, Harold – J Aesthetic Educ, 1969
Article developed from remarks made to the University of Illinois Institute for Advanced Study in Aesthetic Education held in the summer of 1967.
Descriptors: Film Production, Films, Marketing, Public Relations
University of Southern California, Los Angeles. National Information Center for Educational Media. – 1967
SIXTEEN MILLIMETER EDUCATIONAL FILMS ARE LISTED WITH TITLE, DESCRIPTION, TIME, COLOR/BLACK AND WHITE, PRODUCER CODE NAME, DISTRIBUTER CODE NAME, AND DATE OF PRODUCTION. FILMS ARE LISTED IN TWO WAYS--WITH TITLE ONLY BY SUBJECT IN A SUBJECT MATTER SECTION WHICH HAS AN OUTLINE AND INDEX, AND WITH ALL DATA IN A SECTION WHICH LISTS ALL FILMS…
Descriptors: Catalogs, Films, Indexes, Instructional Films
Lambert, Robert; McLaughlin, Frank – Media and Methods, 1969
The story, "Flowers for Algernon," is discussed in terms of its evolution from short story to television play to novel to the movie, "Charly." Emphasized is how each medium approaches the story differently, yet retains a theme to which high school students are willing to respond. (LS)
Descriptors: Film Study, Films, Literature Appreciation, Student Interests
James, C. Rodney – 1968
The National Film Board of Canada has, through its films, achieved a world-wide influence, and its uniqueness lies in its administrative structure and its place in the Canadian Government which has enabled it to survive while similar organizations in other countries have succumbed to political and film industry pressures. This study offers a…
Descriptors: Film Production, Films, Government Role, Guidelines
Prokosch, Mike – 1973
Information on financing independent films is provided in this article. Four general hints to the independent filmmaker are provided: to make as many personal contacts as possible, to assess the contact's function in his organization, to scale the proposal to the resources controlled by the contact, and to develop a presentation which sells both…
Descriptors: Film Production, Films, Financial Support, Grants


