The operational costs of a large non-profit midwestern university film library are reviewed. (Author/STS)

Reveals that the direction of a review can have a significant effect on audience interest in and evaluation of a film. (FL)

Provides a rationale for broad-based participation in film selection, and describes how the Co-op carries out its responsibilities for previewing, selecting and distributing 16 mm films. (JB)

Discusses and analyzes Sam Taylor's film production of Shakespeare's Taming of the Shrew.'' (MM)

A brief description of an experimental program in which cameras and film are distributed over a wide range of schools to engourage the effective use of 8mm film in schools. (AK)

The author provides an actual game board to teach individuals interested in film careers how to deal with what he considers the two most important talents in film making--making contacts and raising money. (AK)

Article gives many details and techniques for making an animated film in a third grade classroom. (GB)

Reviews three films dealing with problems of the aging. (SP)

An explanation of the mechanics of preparing a young film-makers' festival is presented. Directed toward media-naive librarians, the pitfalls and rewards of the Los Angeles Public Library Young Adult Services experience are outlined. (21 references) (Author/KE)

The purpose of this paper is to present a strategy for developing a theory of film distribution for public education film libraries." (Author)

Although Oscar Micheaux was not the first Black American filmmaker, he was undoubtedly the most prolific Black American movie producer. He is credited with making the first full-length, all-Black silent film produced by a Black company, as well as the first full-length, all-Black sound film. (Author/MC)

Traces the Stanislavski system for realism in acting from its origin within Moscow Art Theater, through its modification by Lee Strasberg and Elia Kazan in the Actor's Studio, to its use in modern American films. (JMF)