Reflecting the theories and practices of effective teachers who use a cross-disciplinary approach to enhance writing instruction, this collection of essays is designed to make writing teachers aware of the various possibilities for using film in their classrooms. The ten essays focus on the following topics: (1) combining essay reading and writing…

Impressed with the results of a two-year experiment with film in the art classes of Central Peel Secondary School, the Creative Arts Committee of the Ontario Curriculum Institute designed five experimental projects that used film. The projects were undertaken by the art classes of four secondary schools. Each project, or experiment, was devised to…

The medium of film is uniquely suited to the representation of social problems such as racism. By stressing major issues of racism--slavery, the black cultural heritage, black power, and the black civil rights movement--and coupling these issues with films which give a realistic view of the substance and problems of racism, both concepts…

Two main themes of motion picture development in America are presented in this comprehensive historical guide to movies. The sophistication and broadening of the movies as an art form and the complex relationships between a period and the movies of that period are fully explored. Particular emphasis has been placed on the role of the director.…

While science films can differ widely in their content and purpose, the making of such films rests on a pattern of principles, techniques, and matters of routine. This book traces that pattern and presents descriptions of how some particular problems were tackled previously. The history and state of the medium are overviewed, with information on…

This volume is comprised of a collection of essays about the origin and development of the science fiction film, its relation to other kinds of film and to science fiction writing, and its aesthetic value. The essays are arranged in four groups: "Beginnings: 1895-1940s,""Popular Years: The 1950s,""Taking Stock: Some Issues and Answers," and…

A SERIES OF 40 FILMS WAS DEVELOPED FOR COLLEGE-LEVEL INSTRUCTION IN FOUR ASPECTS OF COMMUNICATION THEORY AND THE EDUCATIONAL MEDIA. THE TOPICS COVERED ARE--(1) THE INFORMATION EXPLOSION, (2) PROCESS OF COMMUNICATION, (3) PERCEPTION AND COMMUNICATION, AND (4) THE TEACHER AND TECHNOLOGY. THIS REPORT DESCRIBED THE CONCEPTS USED IN THE PRODUCTION OF…

In Tulsa (Oklahoma), junior high school students had the opportunity, as apprentices to film director Francis Ford Coppola, to be involved in activities that enlarged their direct experience rather than in intense intellectual pursuits. Such activities are characterized by brain-growth experts as appropriate for this age group. (Author/MLF)

Discusses the content of a course on the genre of western films that was utilized as a film study and a U.S. cultural history credit. Describes in detail the film, "Winchester '73," and addresses other films utilized in the course. States that the course also focuses on the development of the western genre. (CMK)

"Do the Right Thing" leaves the viewer with contradictory and confused messages that suggest that the film has no clear view of racial relations in a city. The film is examined as an ideological statement. It deconstructs contemporary African-American ideologies but does not replace them with new visions. (SLD)

The "International Society for the Social Studies (ISSS) Annual Conference Proceedings" is a peer-reviewed professional publication published once a year following the annual conference. The following papers are included in the 2015 proceedings: (1) Local History and Local Culture at the Core of Elementary Social Studies Curriculum (C.…

This submission contains the Proceedings of the 2013 Annual Meeting of the Canadian Mathematics Education Study Group (CMESG), held at Brock University in St. Catharines, Ontario. The CMESG is a group of mathematicians and mathematics educators who meet annually to discuss mathematics education issues at all levels of learning. The aims of the…

Most art is approached by reviewers who evaluate and critics who explicate, a dichotomy that has yet to characterize film. But now that film has entered the academy, a change seems imminent, and potentially destructive. (Editor)

A survey of Ray Fielding's lists of nearly 3,000 theses and dissertations on film and video produced both in the United States and abroad since 1916 revealed that only 21 of these works included any discussion of the history and theory of corporate or sponsored films. Any viable historical or theoretical methodology for film research should be…