Many suggestions are given for directly involving students in the various forms of the media. Instamatic cameras, tape recorders, 35mm cameras, videotape recorders, Super 8 cameras, phonograph players, and film projectors are some pieces of equipment typically available to schools which can be used creatively by students. In addition to making…

Today's students are very much interested in films, but discussing films as if they are literature, or as if there are "right" answers about them (the teacher's), will kill off that interest quickly. A better technique is to discuss the feelings which the film's images generate among class members, and to go on from there into larger questions…

This book discusses mass media, multimedia, and individual media and suggests various media activities for children. The introductory essay considers why the medium is not the message; chapter one presents a model for multimedia learning; and chapter two considers the pedagogical questions of media production. Subsequent chapters deal with stage…

Describes a course in German film offered by the Department of Germanic Languages and Literatures at the University of Illinois. A sample syllabus is given, which includes a list of the films and textbooks used, as well as a selective listing of films available in the United States. (CFM)

A description of the use made by a college teacher in Germany of films in his language classes. Students provided the dialogue for silent films during class. Films were also used in this way for testing speaking ability. Motivation was high. It seemed to be successful as a testing technique. (AMH)

Some of the possibilities of teaching German culture through the medium of the fictional film are suggested. Brief descriptions are provided of German films found useful in communicating some aspect or problem of twentieth-century culture. A select bibliography of works containing extensive analyses and interpretations is provided. (SW)

Collects impressionistic images from the author's life over a 20-year period. Chronicles her development as a Black woman filmmaker and photographer. (BJV)

Describes an approach to French literature that looks at the process of making a novel into a film. The technique focuses on comparisons of composition, characters, and language. (MSE)

Yale University Films' mission to make scholarly ideas more accessible to the general public is about to be realized when they broadcast a film on James Boswell to a national television audience. The movie is based on the journals of the eighteenth century Scottish diarist and biographer of Samuel Johnson. (MLW)

Describes how short films can be used as paradigms in the composition class, gives several examples of particular films, and describes how to include film in a class. (CRH)

It is proposed that film has become a mirror of French society and of social change in France since 1968. It reflects changes in life-style, evolution of morals, fluctuations in fashion, and changes in urban and rural landscapes. However, it rarely questions society seriously. (MSE)

Video is growing in importance for campus communicators. Four articles are presented: "For Your Eyes Only" by William R. Wright (videos for specific audiences); "Twenty Questions" by Mark Edwards (hiring a producer); "Video News Releases" by Gary T. Honnert; and "Where the Money Is" by Russ Moore (funding…

Film, providing students with the visual, kinesthetic, and auditory modes of learning, is one of the most effective ways to enhance foreign-language acquisition. In-depth diachronic and synchronic analysis of five Japanese films revealed that with careful planning and film-clip selection, teachers can profitably use films in interactive video…

Integrating "The West Wing" in public relations courses can effectively dramatize the concrete and abstract dimensions of public relations. In turn, students see public relations in action (albeit fictionally so) and learn much about it through structured lessons. From individual writing assignments about situations in "The West Wing," to the…

This article suggests that temporary (project based) filmmaking organizations, and film directors as their leaders, lend themselves to examining a plethora of leadership issues, from social sources of power to competencies in network organizations. It advances for classroom discussion and teaching the cases of Almodovar and Coppola as examples of…