Teachers must also be writers. This notion, at the very heart of the National Writing Project, led Judith Jester to recognize the power of process, feedback, audience, modeling, and thinking. Being a writer and sharing the successful strategies she learned as a NWP fellow has helped her students grow as both thinkers and writers.

For second language learners, English writing as one of the forms of communication is particularly tough. In order to help learners to write correctly and fluently, teachers could guide learners to integrate genre and content reasonably to meet their communicative needs, to motivate their interest and to improve their writing skills. The paper…

Describes a writing process approach to research papers which involves four steps: prewriting, composing, rewriting, and sharing. Illustrates the process using an intermediate grade level example but states that the process is appropriate at higher levels. Stresses that this approach is important because it integrates writing skills with social…

The way writing is taught has changed over the last 35 years--in this new century the movement has been to the "post process age" to focus on the role that social factors such as race, class, ethnicity, and gender play in determining writing development. This paper considers how this shift in the writing classroom from an emphasis on…

Examines the work of Janet Emig, particularly "The Composing Processes of Twelfth Graders," as a means of gaining historical insight into the process movement in writing today. (TB)

Fifteen high-school students with learning disabilities were taught the acronym POWER (plan, organize, write, edit, and revise) and how to use self-instruction to improve their writing performance. Strategy instruction had a significant impact on students' writing performance with an increase in the quality and quantity of written products.…

Provides an artistic prewriting activity to help students design the characters in the stories they write. (MG)

Argues the relative merits of using in-process and retrospective journals, during and after the writing process, to empower students to explore and use their own ways of constructing knowledge to make connections as they write. (KEH)

Process-oriented writing, instead of training students to write for one audience (the teacher) and one purpose (a grade), allows students to generate ideas before they write, confer with peers as they write, and publish their papers after revising and editing them. In the Written Process Approach, the teachers act as coaches, cheerleaders, and…

Describes a sequence of writing and evaluation exercises that provides students with an authentic writing task and places it within a social context that is ideal for the process-writing classroom. Notes that this method provides a supportive and gradual introduction to peer evaluation for both teachers and students. (MM)

Reviews the history of education in the United States, focusing on student control opportunities in writing instruction. Observes that, contrary to literature on the subject, student ownership of written work may not always be the appropriate or best possible alternative. (MM)

Claims that teachers expect children's writing to conform to acceptable content and form, disregarding the "mysterious" and unconventional aspects of writing. Urges teachers to maintain respect both for the complexity of children's thoughts and feelings and for the ambiguity that remains at the heart of any creative work. (MM)

Argues that video technology can provide a motivational tool for learning and practicing language arts skills. Describes the steps in a video production process as analogous to the steps in the writing process. (RS)

Describes a teacher's efforts to adjust teaching a new grade level (her third in three years) and to teaching the process approach to writing. Discusses how her department head assisted her in adjusting to the change and pursuing inservice teacher education opportunities. (RS)

The adoption of a process writing approach in elementary French immersion (FI) is discussed, including favorable arguments from the research and concerns related to creative writing in second-language contexts. Ways to address the special needs of FI students are outlined. (45 references) (Author/LB)