This question-and-answer session was conducted at the New School for Social Research in the spring of 1962. Maslow comments on creativity, peak experiences, drug use, self-actualization, religion, and his psychology of Being. (SJL)

The humor element as a reinforcing tool was examined. Experimental group subjects selecting nouns were shown humorous cartoons. Non-noun selection was followed by a humorless cartoon. Results indicated that humor significantly facilitated intentional learning for the low-creative experimental group. (Author/BEF)

Describes five teaching units designed to broaden students' understanding of the many ways in which things may be seen, to teach about analogies, and to teach the use of analogies in generating ideas in advertising. (GT)

Intuitive thinking greatly enhances life and is a valuable supplement to the objective, analytical mode of thinking. Focus throughout the educational process is on the use of analytical thought processes. Often children with exceptional creative abilities have been penalized for their abilities and labelled troublemakers. (PHR)

Behavior of creative children was studied by comparing 18 high IQ, creative students with 18 high IQ, low creative students matched for sex from a sample of 143 gifted fourth, fifth, and sixth graders. (PHR)

An examination of current definitions of creativity, the characteristics of creative individuals, and an overview of J. Piaget's theory of development are presented. (PHR)

Instruments based on F. Williams'"cube" model (which deals with cognitive-affective behaviors associated with divergent thinking) were used to select gifted students from a large pool (N=468) of third to ninth graders. Evidence indicated that instruments measuring both cognitive and affective factors of divergent thinking are most favorable for…

The author describes her work as a Poet-in-the-Schools for the Ohio Arts Council particularly in relation to inspiration in the creative process. Stressed is the need for educators to recognize that creative production most often takes place after reflection on inspiration and to provide situations conducive to preparation and incubation. (SBH)

The final part of an article on the process of identifying gifted and talented children presents data and discusses implications of the use of the Guidance Institute for Talented Students' Screening Instrument (GIFTS). (For Parts 1 and 2, see EJ 216 146 and EJ 221 686.) (PHR)

A study on the relationship between insight and hemispheric use in science courses for gifted students is briefly described. (Author/PHR)

Aesthetic sensitivity is present in children to varying degrees, but creativity emerges and develops with intelligent assessment of aesthetic experiences. (JD)

Explores the implications of individual effort amidst education's bigness and the possibility of retrieving new instructional "ideas" from the bewildering sea of new research and publications. Teachers need to be continuously informed and consistently encouraged to employ their new knowledge creatively. (Author/BEF)

The article presents three activities designed to create new images, restructure ideas, and try out new ways of thinking for primary-aged gifted children. (PHR)

Reviews the major principles and techniques from the literature on rhetorical invention that bear on honest inquiry in the framework of Graham Wallace's four stages of the creative process. (DD)