Muses on the lessons learned by a writer and writing teacher from taking a drawing class. Discusses gesture drawing and writing, the courage to make marks, the art of sharing, and the creator and the work. (SR)

States the importance of content in the process writing classroom. Demonstrates with "cultural texts" (texts about the daily realities of the students on topics of domesticity and family, violence, evolving sexuality, and future aspirations) that not only how children write, but also what they write about, is of critical importance in helping them…

Discusses the procedures the author (a writer and photo-illustrator) uses to check the facts in his nonfiction science trade books for children. Notes several ways in which misinformation makes its way into nonfiction books. (RS)

Discusses the connection between editors and teachers. Describes the author's editor, who focuses on helping authors meet the expectations of gatekeepers. Discusses how professional writing teachers might use the author's editor as a teaching model (helping students write for actual audiences and teaching more about the text-production process),…

Examines how students view their teachers' comments on their writing assignments. Reports the results of a survey on how students view comments. Offers suggestions for what teachers can do to create a shared context for commentary. (PRA)

Thirty-two theoretically grounded reports of research and discussions of central issues in second and foreign language writing and writing instruction are presented in this annotated bibliography. The items, all dated 1992-93, are categorized as follows: writers; processes; texts; readers; context; instruction; reading and writing; and general.…

Investigates students' evaluations of their best and worst papers. Finds that: researching and writing processes dominated evaluations; grades did not play a significant role in their judgment; interest in the topic was a factor in their evaluations; and their written texts lost impact by the time of the retrospective evaluation. (RS)

Criticizes the focus among some educators upon the writing process. Notes that all writers do not follow the same process and that teaching students otherwise oversimplifies writing instruction and diminishes efforts to improve it. Explains a "scaffolding" approach which involves outlining of increments in a writing process without…

Argues that Mina Shaughnessy's view of language as a politically innocent vehicle of meaning overlooks basic writers' need to confront the dissonance they experience between academic and other discourses. Suggests educators need to abandon the limitations of the essentialist view of language informing their pedagogy. (KEH)

Reflects on a thematic section on "The Status of Women" taught in a freshmen writing class. Discusses the resistance of the author and students and the angered and impassioned writing that arises when texts challenge the ideologies of readers. (MG)

Reviews 9 books that reflect the ideas of teachers and researchers who have been successful in developing classroom practices based on holistic theory and have moved beyond process to explore new frontiers in writing. (RS)

Describes the views and goals of Paulo Freire. Presents an interview with Freire where he discusses his life, works, writing habits, pedagogy, social ideas, research, critical literacy, and other topics. (PRA)

Discusses the problem of asking students to write for the teacher, an authoritative, superior reader. Asserts that a better approach is to ask the students to first address their papers to a small group, and second to choose a specific value system to characterize the attitudes and beliefs of the group selected. (PRA)

Twenty-one suggestions are offered for successful writing for psychology journals. Suggestions include tell readers why they should be interested, consider alternative interpretations of the data, give concrete examples, write for a somewhat broader and technically less skilled audience than you expect to read the article, and don't take…

Discusses issues related to the writing of novels, the construction of meaning by readers, and generally about the act of writing from the first person point of view. Outlines the elements of strong fiction. (HB)