Describes a way to help basic writers--including English-as-a-Second-Language (ESL) students--learn and enjoy the fundamentals of bibliographic instruction. Outlines the pretest for readiness, the in-library practicum, and the posttest to measure progress. (MM)

Many teachers are creating learning environments where students' uses of reading and writing are inseparable and relevant to their daily lives. These teachers are supported by recent trends in language arts research, professionalizing trends in today's political climate, education programs modeling language unification, and enlightened educational…

Profiles Andre Allison and Florence Mondry, English teachers at Shoreham-Wading River High School (New York), who have placed composition at the center of their curricula, giving students more responsibility and fostering cooperative learning. Both use reading logs to help students interpret literature intelligently and extract meaning from their…

Responds to Nelms' critique of the authors' own "Educational Leadership" article criticizing the IBM Writing to Learn program. Since WTR was conceived, programs can be open and interactive and can fit more comfortably into whole language practices. Readers need to weigh the arguments and decide for themselves. (MLH)

Discusses ways in which a ninth grade advanced placement English teacher adapted her teaching methods to an obviously talented writer. Notes that teacher and talented student have entered a new dimension, not only of ownership but of voice--the writing zone. (RS)

Discusses how powerful the letter is as a form and vehicle for writing, particularly because the language of letters is the closest to natural speech and represents casual spontaneity associated with conversation. Suggests practical ways of including letter writing in the classroom and provides sample letters as illustration. (KEH)

Discusses the importance of students reading their own writing to others to help them see the connection between what they have written and the sounds of their own voice. (MG)

Discusses a process to guide students at various levels of writing ability to inquire into unfamiliar and often intimidating subject areas. Notes the process is based on a Piagetian learning cycle that asks students to identify areas of cognitive dissonance, and to engage in a conversation about ways of resolving their uncertainty. (RS)

Analyzes why conceptual ambiguity surrounds the subject of writing plans: why they are viewed alternatively favorably and unfavorably; why they are sometimes mental and sometimes written constructs; and why they are sometimes indistinguishable from writing goals. Concludes that one problem is the view of writing as product. (SG)

Describes how a teacher overcame her students' reluctance to write poetry by showing them slides of people, places, and things in their school. Describes how small groups of students brainstormed ideas and wrote simple poems. (RS)

Calls for changes in the teaching of technical communication. Proposes including in instruction political discourse which analyzes the values of the military-industrial complex that technical writing now serves. Suggests that an apprenticeship model would be better suited to such instruction than the model now offered by the market. (SG)

Examines three contemporary taxonomies of revision as proposed by Wallace Hildick, Lester Faigley and Stephen Witte, and Sondra Perl. Uses literary and cultural theory to bridge the gap between these theories and students' revision practices. Argues that while revision may be prescriptive, it must also be subordinate to the writer's intentions and…

An approach to teaching legislative drafting uses limited traditional classroom instruction and intensive exposure to the process of legislative drafting through a classroom simulation in which students revise the Massachusetts criminal code. (MSE)

Offers five high school teachers' comments regarding how the computer has changed their lives in the classroom, the uses they make of it, and what it promises for the immediate future. (SR)

Argues that listening is an integral part of composing by discussing the results of several listening/writing exercises (retellings of short stories or parts of novels). Notes that basic writers learned to hear the reader-voice in texts, thereby developing their internal writer's voice and better control of their writing. (RS)