Describes use of matrix management to organize learning support services on a college campus. Claims matrix management, which links support services from academic and student affairs, increases access, improves accountability, and encourages new programs. (Author/ABL)

Examines the history of business communication principles. Concludes that principles developed for business communication found in early twentieth-century business communication textbooks can be traced to a 2000-year-old tradition of epistolographic writings. Notes that business communication in the twentieth century and the ancient…

Describes how to conduct a collaborative group story-writing session with preschool children and encourage the creativity of the group. (MM)

A recent study comparing whole language and skills-oriented instruction found that students in whole language classes spent more time on cognitively complex literacy tasks. Educators need to balance the use of narrative and expository text, integrate subject matter areas, and use a variety of instructional grouping strategies. Includes 10…

When creating the instructional program Writing in Response to Reading, teachers in River Forest, Illinois, focused on three types of writing (retelling, extending, and critiquing). To evaluate students, they devised "prompts" (unfinished stories) requiring students to construct an ending to demonstrate their understanding and use of…

Assuming that writing and reading must serve the goals of a liberal education (preparing young Americans for responsible citizenship), the Institute on Writing, Reading, and Civic Education promotes student writing to personalize civic relationships, to obtain or provide information or services, to evaluate public services, or to evaluate a…

Describes some of the ways in which students can be organized for reading and writing instruction. Suggests that educators must first identify the key components of literacy, then clarify a view of instruction and learning. Argues that recent literacy research has analyzed processes and texts but has overlooked the larger literacy contexts. (SG)

Argues that writing teachers need to encourage profuseness as well as concision, to teach not just brevity but also loquacity, to help students repeat inventively. Notes that the stylistic values implicit in writing theories, pedagogy, and culture so overwhelmingly favor conciseness that elaboration gets lost in the learning process. Presents…

Discusses using a vase of dead roses in a writing class to teach students to deal with emotionally charged subject matter, see beyond the obvious, use language concisely to convey a message, and strike a universal chord in an audience--that is, to communicate intimately with an audience. (SR)

Shares 12 steps to using found poetry as an introduction to a unit on poetic composition. (MG)

Offers 100 suggestions for implementing a resolution of the 1987 Laramie, Wyoming meeting of the Conference on College Composition and Communication. Proposes ways in which students, composition instructors, part-time faculty, teaching assistants, administrators, department heads, deans, professional organizations, and editors of professional…

Stresses the importance of using imagery when having beginning writers write poetry. Discusses additional techniques of stressing the unusual, continuation words, the five senses, and repetition of a word or phrase. (MG)

Describes Project Write which uses a hierarchy of critical thinking skills in the formation of concepts and theories. Describes how students use computers to brainstorm, categorize, verify, sequence story details, and create a main idea and conclusion for their expository writing. (RS)

Describes how a class of 13 academically average high school students, inspired by an earlier article in this journal, collaboratively wrote a story. Notes that the students continued to revise their story even after it came back from the printers. (RS)

Elaborates upon the assertion that composition studies is potentially a postdisciplinary inquiry which sometimes requires teachers to call upon knowledge from various disciplines to convey ideas to students. Identifies "narrative knowledge" as the kinds of tacit awareness that comes to writing teachers as a consequence of their work. (SG)