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Peer reviewedSchool Arts, 1971
A brief description of the BLACK ARTISTS: TWO GENERATIONS show, held at the Newark Museum during the summer of 1971, precedes a series of pictures from the show. (MC)
Descriptors: Artists, Blacks, Painting (Visual Arts)
Behrens, Roy – Sch Arts, 1970
Descriptors: Perception, Teaching Methods, Visual Arts
Peer reviewedStewart, William – Art Education, 1971
Descriptors: Art Education, Humanism, Visual Arts
Peer reviewedAlbers, Josef – Art Education, 1970
Descriptors: Artists, Painting (Visual Arts), Poetry
Guga, Ann Rose M. – Sch Arts, 1970
Art students were introduced to architecture and environmental sculpture and were encouraged to visit construction sites to improve their observation skills. (CK)
Descriptors: Architectural Education, Art, Visual Arts
Peer reviewedStokes, Patricia D. – American Psychologist, 2001
Discusses how creative individuals maintain high levels of variability, examining how Claude Monet's habitually high level of variability in painting was acquired during his childhood and early apprenticeship and maintained throughout his adult career by a continuous series of task constraints imposed by the artist on his own work. For Monet,…
Descriptors: Artists, Creativity, Painting (Visual Arts)
Carrier, David – Journal of Aesthetic Education, 2004
Because beauty has for a long time now been politically incorrect (at least among certain influential critics and academic historians) the art of Henri Matisse has recently suffered from a kind of benign neglect. His goals were luxury, calm, and voluptuousness, not social critique. Liberated from any vital connection with everyday life, they often…
Descriptors: Artists, Painting (Visual Arts), Aesthetics
Peer reviewedSchool Arts: The Art Education Magazine for Teachers, 2004
This article details the work of Raymond Pettibon. Raymond Pettibon's pictures place an equal emphasis on drawing and writing. Working with a cast of characters drawn from worlds as different as Saturday morning cartoons and politics, he tells stories that can be both amusing and critical.
Descriptors: Writing (Composition), Artists, Visual Arts
Keiper, S.; Sandene, B. A.; Persky, H. R.; Kuang, M. – National Center for Education Statistics, 2009
This report presents the results of the 2008 National Assessment of Educational Progress (NAEP) in the arts, which was given to a nationally representative sample of 7,900 eighth-grade public and private school students. Approximately one-half of these students were assessed in music, and the other half were assessed in visual arts. The Music…
Descriptors: Visual Arts, Music, Academic Achievement, National Competency Tests
Hutzel, Karen; Bastos, Flavia M. C.; Cozier, Kimberly J. – Teachers College Press, 2012
This anthology places art at the center of meaningful urban education reform. Providing a fresh perspective on urban education, the contributors describe a positive, asset-based community development model designed to tap into the teaching/learning potential already available in urban cities. Rather than focusing on a lack of resources, this…
Descriptors: Community Development, Urban Schools, Art Education, Educational Change
Parsad, Basmat; Spiegelman, Maura – National Center for Education Statistics, 2012
Student access to arts education and the quality of such instruction in the nation's public schools continue to be of concern to policymakers, educators, and families. Specifically, research has focused on questions such as: To what extent do students receive instruction in the arts? Under what conditions is this instruction provided? What is the…
Descriptors: Art Education, Music Education, Dance Education, Theater Arts
Moore, Kevin Z. – Journal of Aesthetic Education, 2007
Cephalopods have a visual language that may be considered artful; they flash color-forms on their hides to communicate intents and emotions. Formalist inspired artists and their critic-expositors describe abstract pattern-painting as though it were a visual language equal to that of the cephalopod. In this article, the author argues that although…
Descriptors: Art Education, Zoology, Nonverbal Communication, Color
Bader, Miriam – SchoolArts: The Art Education Magazine for Teachers, 2007
In his book "A Whole New Mind," Daniel Pink describes the aptitude of Symphony as the ability to synthesize, or to put pieces together. Symphony is the capacity to see relationships, detect broad patterns, and to create by combining diverse elements together. The artist Wassily Kandinsky exemplifies Symphonic thinking. A pioneer in nonobjective…
Descriptors: Artists, Profiles, Art Expression, Music
Arkenberg, Rebecca – SchoolArts: The Art Education Magazine for Teachers, 2007
In this article, the author provides a brief history of Hmong and traces the origin of Hmong story cloths. The Hmong, a nomadic and agrarian people, may date back 5000 years. Today they live in China, Vietnam, Thailand, and Laos, where during the Vietnam War and its aftermath, many Hmong were killed or persecuted for siding with the American…
Descriptors: Foreign Countries, War, Hmong People, Asian History
Taylor, Lisa K.; Zine, Jasmin; Davis, Hilary E. – Intercultural Education, 2007
This article presents an interview with Jamelie Hassan. Jamelie Hassan is a visual artist and activist based in London, Ontario, Canada. Since the 1970s she has exhibited widely in Canada and internationally. In 1993 she was presented the "Canada 125 Medal" in recognition of her outstanding service to the community, and in 2001 she…
Descriptors: Profiles, Interviews, Activism, Foreign Countries

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