Examines how students make and revise meaning when writing in purposeful, informal ways about their interpretation of literary texts. Also reveals five ways in which students develop their understanding of literature through writing. Suggests a mutually enriching reading-writing process of interpretation. (AEW)

Offers an author's thoughts on winning the Newbery Medal. Reveals the writer's background and his tentative beginnings as a children's author. (NKA)

Discusses revision as a growth-through-change process occurring continuously through all stages of drafting. Describes several ways in which word processing facilitates invention, substitution, reordering, adding, cutting and other aspects of this kind of composing. Offers guidelines for using computers in the writing classroom. (JG)

Noting that students in groups learn more effectively when working cooperatively than when working competitively or individualistically, presents guidelines, assignments, and class activities designed to foster cooperative learning. Describes such student-student interaction sessions as describing sense perception details, receiving peer feedback,…

Discusses the values of publishing student writing (among them increased audience awareness), describes one writing project's procedures for formulating topics by daily expressive writing on a literary topic, outlines procedures for evaluating, responding positively to, and publishing this daily writing, and enumerates benefits for teacher and…

Protocol analysis and a literature review were used to determine the ways novice and expert writers, from elementary to postsecondary levels, deal with the cognitive processes that constitute writing. They found that writing is goal-directed, writing goals are hierarchically organized, and writers accomplish their goals through planning, sentence…

Draws an analogy between reading and writing, and between reading and responding to the world. Concludes that reading, like writing and responding to the world around us, is revisionary. (MS)

Offers comments on an article appearing in a recent issue of this journal in which the writer argued that word processing enhances student writing performance. Includes a response by the article's author, Don Richard Cox. (FL)

Advocates an adaptation of Raymond Geuss's critical methodology to help students become critical theorists in the composition classroom. (MM)

Presents three broad areas--writing anxiety, motivation, and beliefs--that seem to be ripe for study in terms of affect, and suggests that the constructivist views refined by George Mandler could be helpful to drive such research. (NH)

Offers two lessons for instructors of business writing courses, the first of which asks students to analyze actual samples of business documents and correspondence, and the second of which asks students to interview eight business people about the type and amount of writing they do in the course of their work. (JC)

Two experiments look at factors influencing the ways children construct an abstract representation of story structure that contains the characteristics described by story grammars. (RWB)

Illustrates dimensions of variation in how young children orchestrate or manage the writing process, using data collected from a five-month study of primary grade writers. Finds children's composing behaviors consistent with their apparent intentions and with their styles as symbolizers and socializers in their classroom. (SKC)

Examines the life and works of Cynthia Rylant, an author of children's books. Rylant tells about her personal life, discusses her writing habits, how she chooses illustrators for her books, and her relationship with her editor. (NKA)

An author traces the development of a survival story, "The Sign of the Beaver," and examines the elements basic to the genre in some other well-known stories. (SD)