Presents a response to Joseph Harris's article in this issue. Acknowledges that differences in opinion were less in principle and more in what they emphasized in their respective essays. Suggests that communities have possibilities for opening different sorts of spaces on university campuses. (SG)

In 1996, the State University of New York at New Paltz developed the Supplemental Writing Workshop Program for its basic writing students in response to public pressure to discontinue the offering of so-called remedial writing courses at four-year institutions. Our primary purpose in this article is to describe the design of the SWW Program, which…

Many students have difficulty in educational and employment settings because they have failed to master basic writing skills. Multiple-baseline across-tasks designs were used to evaluate the effects of the Comprehensive Writing Program (CWP), a multicomponent intervention, on the writing performance of all students (n = 17) from 3 9th-grade…

For years, educators have approached college writing from three distinct pedagogies: composition studies, basic writing, and ESL. But now as these classrooms have diversified, mixed, and blended, separated pedagogies are no longer effective. In other words, these three fields (each with its own journals and conferences) have the same common…

Considers the consequences of expelling California State University students who do not complete remediation within one year. Proposes that the lack of educational choices is analogous to the institutionalized absence of alternatives for basic writing programs. Analyzes the contradictory rhetoric of official policy, linking the elitist return to…

Claims that there is general agreement of a need to rethink the basic writing course. Posits that there is also a need to rethink the view of literacy on which the course is often based. Questions aspects of academic literacy and suggests ways to reform writing instruction at all levels by looking at literate practices outside the academy. (PA)

Considers basic writing as a way of naming (and producing) a curriculum, an area of study, a type of writing, and writing practice. Discusses the history of the term "basic writing" and the role of the intellectual, the culture, and its institutions in its production. (SR)

Considers the circumstances under which "basic writing" emerged both as a college course and as a field of study. Aims to map the "strange context" of discourses that have composed basic writing and to determine the strategic function of each of these discourses, including David Bartholomae's recent call for undoing basic…

The purpose of this case study was to describe the role of teacher knowledge in the instructional methods of a community college developmental literacy instructor and determine in what ways that knowledge may have impacted the perceptions of the student participants regarding their authority over their academic progress in the class. Therefore,…

The findings of two studies with students doing research with the Internet about topics in science are reported. The focus is on students' methods of text production when using external web-based information and their learning outcomes. In a first exploratory study, the computer-based text production of 45 students was analysed using log files.…

Contends that developmental writing students' self confidence improves when they understand their learning styles. Outlines how the Myers-Briggs Type Indicator is used to pinpoint students' learning styles and how to help students work "their way." (PA)

Offers a method to help writing students generate ideas and collect their thoughts: (1) giving students 10 minutes to freewrite about being stranded on a desert island; (2) writing one page on a thesis statement; and (3) having students "talk through" their papers in small groups. (PA)

Describes how struggle and conflict are constructive for writers. Examines why this view of conflict had rhetorical power historically for theorists. Explores how and why this view persists among basic writing teachers in the 1990s. (HB)

Describes two writing assignments for basic writers (synthesizing influences from Mike Rose and David Bartholomae) in which students perform complex thinking and writing tasks while writing about their own experiences and those of fictional characters similar to themselves. (SR)

Notes that personal writing continues to proliferate, especially in freshman composition and basic writing courses. Argues that overemphasis on personal writing, on finding a "voice," may become exclusionary rather than liberating. Argues that it is crucial to teach students how to read, react to, and write about anything beyond the…