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Egenes, Barbara – Arts & Activities, 2009
In this article, the author describes an art project inspired by "Discovering Great Artists: Hands-On Art for Children in the Styles of the Great Masters," for 3- and 4-year-old preschoolers. The author's goal in creating this project which uses Jackson Pollock's style of painting was three-fold: (1) for the children to become acquainted with…
Descriptors: Artists, Art Appreciation, Art Products, Studio Art
Zhuang, Rong – International Education Studies, 2009
In recent years, western pragmatism has been prevalent on the campuses of Chinese universities. Its direct result is the emergence of such a trend in fine arts teaching which attaches high importance to the pragmatic side of the art learning and disregards fostering the humanistic qualities of the students. One of the most serious phenomena of…
Descriptors: Art Appreciation, Western Civilization, College Students, Humanism
Hamilton, James R. – Journal of Aesthetic Education, 2009
In "The Art of Theater," the author proposes and explains a claim that many theater people hold true in some form but have defended in a manner that has had almost no success outside discussions among themselves. The claim proposed is that, in an unqualified way, theater is a form of art. By that the author means theatrical performances are "what…
Descriptors: Drama, Theaters, Art, Aesthetics
Skophammer, Karen – Arts & Activities, 2009
Is there beauty in the wall socket that people plug their appliances into daily? Can one find beauty in the grate covering the heat vent in his classroom? The author posed these very questions to her third-grade students. She had the students take a good look at the outlet cover (or plate) on the wall. After thinking and discussing the outlets,…
Descriptors: Art Education, Art Appreciation, Art Expression, Art Activities
Dobson, Stephen – Journal of Philosophy of Education, 2008
Nick Peim has recently revisited the work of Walter Benjamin; specifically his famous essay on art and mechanical reproduction. In this reply, I too draw upon the inspiration of Benjamin to extend the argument to the question of experience and what might count as knowledge, both in a philosophical sense and also in terms of the curriculum. To…
Descriptors: Art Appreciation, Art, Educational Philosophy, Aesthetics
Hantula, Donald A.; Sudduth, Mary Margaret; Clabaugh, Alison – Psychological Record, 2009
The question of whether an artist's use of technology to create art results in a detectable aesthetic difference was investigated in the case of Dutch realist painter Johannes Vermeer and his use of the camera obscura. In Experiment 1, participants evaluated 20 Vermeer paintings on 6 aesthetic dimensions and preferred paintings created with the…
Descriptors: Artists, Technology, Value Judgment, Painting (Visual Arts)
Law, Sophia S. M. – New Horizons in Education, 2010
Background: Under the challenge of many post-modern theories and critics on art and art history, the boundaries and definition of art has becoming more diverse. Conventional art appreciation no longer covers all the debates and issues arising from the complex meaning of art in the modern world. Art education today must widen students' vision of…
Descriptors: Art Appreciation, Interaction, Art Expression, Art Products
Hopperstad, Marit Holm – Journal of Early Childhood Literacy, 2010
This paper reports on an ethnographic study conducted with two Year 1 classes in two different Norwegian schools. In total, 35 five- and six-year-old children were involved in the study and were observed over a two-month period as they engaged in learning activities that involved drawing. Building on Kress and Van Leeuwen's (1996) theory of a…
Descriptors: Ethnography, Visual Literacy, Teacher Attitudes, Freehand Drawing
Dulama, Maria Eliza; Ilovan, Oana-Ramona; Vanea, Cornelia – Acta Didactica Napocensia, 2009
The purpose of our research was to test the following hypothesis: 6 and 7 years old children's representations were strongly influenced by the environment they lived in. Representations are interiorised models of objects, phenomena and events, independent of present use of our senses and of the presence or absence of objects. We realised our…
Descriptors: Kindergarten, Childrens Art, Freehand Drawing, Art Expression
Richmond, Stuart – Journal of Aesthetic Education, 2009
This paper explores critically the nature of art's value in education and argues in favor of both intrinsic and instrumental value. Form and expression, while being out of favor in some contemporary circles, are re-claimed as appropriate features of art. Concepts and forms in art as elsewhere serve to structure impressions and experience and…
Descriptors: Art Education, Artists, Aesthetics, Art Appreciation
Dadlez, Eva M. – Journal of Aesthetic Education, 2008
During the eighteenth century, amateurs as well as philosophers ventured critical commentary on the arts. Talk concerning taste or beauty or the sublime was so much a part of general discourse that even novelists of that era incorporated such subjects in their work. So it would not be surprising to find that perspectives on aesthetics are…
Descriptors: Aesthetics, Novels, Art Criticism, Art Appreciation
Shapiro, Michael J. – Educational Perspectives, 2009
In this article, the author explores the pedagogical value of cinema's capacity to offer a "decentered" mode of perspective for the audience. The author illustrates a film's ability to present a different perspective with reference to Sean Penn's "The Pledge" (2001) and Ivan Sen's "Beneath Clouds" (2002), which show how cinema allows viewers to…
Descriptors: Films, Popular Culture, Audience Awareness, Aesthetics
Gebstaedt, Kate – SchoolArts: The Art Education Magazine for Teachers, 2009
"Appreciation" of the arts grows most abundantly when students immerse themselves in the making of art. In this article, the author describes how she made eighth graders appreciate some of the big names from the art of the past.
Descriptors: Art Appreciation, Studio Art, Middle School Students, Grade 8
Kennedy, Michelle – Research in Dance Education, 2009
As artists seek new ways to reflect an increasingly digital and global culture, theatrical dance in the UK and Europe has seen a growing collaboration and cross-fertilisation between forms of dance, theatre, visual art, film and technology. As the boundaries between artistic disciplines continue to blur, it seems clear that dance audiences need to…
Descriptors: Dance Education, Foreign Countries, Dance, Interdisciplinary Approach
Bae, Jaehan – Art Education, 2012
Murals have become a powerful art form for portraying antiwar, human rights, social justice, and human dignity issues. Educators and artists have conducted mural workshops with adolescents in international settings to educate them about peace, human rights, and cultural tolerance. Learning with murals has been shown to be pedagogically meaningful…
Descriptors: Social Justice, Cooperative Learning, Peace, Workshops